Visitor:


UNSEEN THEY SUFFER

Unseen they suffer
Unheard they cry
In agony they linger
In loneliness they die.

(unknown author.. poem about laboratory animals..
http://www.stopanimaltests.com 


WE ARE THE LIVING GRAVE OF MURDERED BEASTS

by George Bernard Shaw

We are the living graves of murdered beasts
Slaughtered to satisfy our appetites
We never pause to wonder at our feasts
If animals, like men, can possibly have rights
We pray on Sundays that we may have light
To guide our footsteps on the path we tread
We're sick of war We do not want to fight
The thought of it now fills our hearts with dread
And yet we gorge ourselves upon the dead
Like carrion crows we live and feed on meat
Regardless of the suffering and pain
We cause by doing so. If thus we treat
Defenseless animals for sport or gain
How can we hope in this world to attain
the PEACE we say we are so anxious for
We pray for it o'er hecatombs of slain
To God, while outraging the moral law
Thus cruelty begets its offspring: war.

(Some believe that George Bernard Shaw ghostwrote at least one of the books of the Booth who founded the Salvation Army) The Army has lapsed from the vegetarian diet of General Bramwell Booth.. which was based on the teachings of Christ


THE GARDEN

-William Cowper-


Well--one at least is safe. One shelter'd hare
has never heard the sanguinary yell
of cruel man, exulting in her woes.
Innocent partner of my peaceful home,
Whom ten long years' experience of my care
Has made at last familiar; she has lost
Much of her vigilant instinctive dread,
Not needdful here, beneath a roof like mine.
Yes--thou may'st eat they bread, and lick the hand
That feeds thee; thou may'st frolic on the floor
At evening, and at night retire secure
To thy straw couch, and slumber unalarm'd;
For I have gain'd the confidence, have peldg'd
All that is human in me to protect
Thine unsuspecting gratitude and love.
If I survive thee I will dig thy grave;
And, when I place thee in it, sighing, say,
I knew at least one hare that had a friend.
 


THE OWL CRITIC

by James T. Fields

"Who stuffed that white owl?" No one spoke in the shop;
The barber was busy, and he couldn't stop;
The customers, waiting their turns, were reading
The Daily, the Herald, the Post, little heeding
The young man who blurted out such a blunt question;
Not one raised a head, or even made a suggestion;
And the barber kept on shaving.

"Don't you see, Mister Brown,"
Cried the youth with a frown,
"How wrong the whole thing is,
How preposterous each wing is,
How flattened the head, how jammed down the neck is--
In short, the whole owl, what an ignorant wreck 'tis!

"I make no apology;
I've learned owleology,
I've passed days and nights in a hundred collections,
And cannot be blinded to any deflections
Arising from unskilful fingers that fail
To stuff a bird right, from his beak to his tail.
Mister Brown, Mister Brown!
Do take that bird down,
Or you'll soon be the laughing stock all over town!"
And the barber kept on shaving.

"I've studied owls,
And other night fowls,
And I tell you
What I know to be true!
An owl cannot roost
With his limbs so unloosed;
No owl in this world
Ever had his claws curled,
Ever had his legs slanted,
Ever had his bill canted,
Ever had his neck screwed
Into that attitude.
He can't do it, because
'Tis against all bird laws.
Anatomy teaches,
Ornithology preaches,
An owl has a toe
That can't turn out so!
I've made the white owl my study for years,
And to see such a job almost moves me to tears!

"Mister Brown, I'm amazed
You should be so crazed
As to put up a bird
In that posture absurd!
To look at that owl really brings on a dizziness;
The man who stuffed him don't half know his business!"
And the barber kept on shaving.
"Examine those eyes,
I'm filled with surprise
Taxidermists should pass
Off on you such poor glass;
So unnatural they seem
They'd make Audubon scream,
And John Burroughs laugh
To encounter such chaff.
Do take that bird down;
Have him stuffed again, Brown!"
And the barber kept on shaving.

"With some sawdust and bark
I could stuff in the dark
An owl better than that.
I could make an old bat
Look more like an owl
Than that horrid fowl,
Stuck up there so stiff like a side of coarse leather;
In fact, about him there's not one natural feather."

Just then with a wink and a sly normal lurch,
The owl, very gravely, got down from his perch,
Walked round, and regarded his fault-finding critic,
(Who thought he was stuffed) with a glance analytic,
And then fairly hooted, as if he should say:
"Your learning's at fault, this time, anyway;
Don't waste it again on a live bird, I pray.
I'm an owl; you're another. Sir Critic, good-day!"
And the barber kept on shaving.


AUGURIES OF INNOCENCE

-by William Blake-


To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
A robin redbreast in a cage
Puts all heaven in a rage.
A dove-house filled with doves and pigeons
Shudders hell through all its regions.
A dog starved at his master's gate
Predicts the ruin of the state.
A horse misused upon the road
Calls to heaven for human blood.
Each outcry of the hunted hare
A fibre from the brain does tear.
A skylark wounded in the wing,
A cherubim does cease to sing.
The game-**** clipped and armed for fight
Does the rising sun affright.
Every wolf's and lion's howl
Raises from hell a human soul.
The wild deer wandering here and there
Keeps the human soul from care.
The lamb misused breeds public strife,
And yet forgives the butcher's knife.
The bat that flits at close of eve
Has left the brain that won't believe.
The owl that calls upon the night
Speaks the unbeliever's fright.
He who shall hurt the little wren
Shall never be beloved by men.
He who the ox to wrath has moved
Shall never be by woman loved.
The wanton boy that kills the fly
Shall feel the spider's enmity.
He who torments the chafer's sprite
Weaves a bower in endless night.
The caterpillar on the leaf
Repeats to thee thy mother's grief.
Kill not the moth nor butterfly,
For the Last Judgment draweth nigh.
He who shall train the horse to war
Shall never pass the polar bar.
The beggar's dog and widow's cat,
Feed them, and thou wilt grow fat.
The gnat that sings his summer's song
Poison gets from Slander's tongue.
The poison of the snake and newt
Is the sweat of Envy's foot.
The poison of the honey-bee
Is the artist's jealousy.
The prince's robes and beggar's rags
Are toadstools on the miser's bags.
A truth that's told with bad intent
Beats all the lies you can invent.
It is right it should be so:
Man was made for joy and woe;
And when this we rightly know
Through the world we safely go.
Joy and woe are woven fine,
A clothing for the soul divine.
Under every grief and pine
Runs a joy with silken twine.
The babe is more than swaddling bands,
Throughout all these human lands;
Tools were made and born were hands,
Every farmer understands.
Every tear from every eye
Becomes a babe in eternity;
This is caught by females bright
And returned to its own delight.
The bleat, the bark, bellow, and roar
Are waves that beat on heaven's shore.
The babe that weeps the rod beneath
Writes Revenge! in realms of death.
The beggar's rags fluttering in air
Does to rags the heavens tear.
The soldier armed with sword and gun
Palsied strikes the summer's sun.
The poor man's farthing is worth more
Than all the gold on Afric's shore.
One mite wrung from the labourer's hands
Shall buy and sell the miser's lands,
Or if protected from on high
Does that whole nation sell and buy.
He who mocks the infant's faith
Shall be mocked in age and death.
He who shall teach the child to doubt
The rotting grave shall ne'er get out.
He who respects the infant's faith
Triumphs over hell and death.
The child's toys and the old man's reasons
Are the fruits of the two seasons.
The questioner who sits so sly
Shall never know how to reply.
He who replies to words of doubt
Doth put the light of knowledge out.
The strongest poison ever known
Came from Caesar's laurel crown.
Nought can deform the human race
Like to the armour's iron brace.
When gold and gems adorn the plough
To peaceful arts shall Envy bow.
A riddle or the cricket's cry
Is to doubt a fit reply.
The emmet's inch and eagle's mile
Make lame philosophy to smile.
He who doubts from what he sees
Will ne'er believe, do what you please.
If the sun and moon should doubt,
They'd immediately go out.
To be in a passion you good may do,
But no good if a passion is in you.
The whore and gambler, by the state
Licensed, build that nation's fate.
The harlot's cry from street to street
Shall weave old England's winding sheet.
The winner's shout, the loser's curse,
Dance before dead England's hearse.
Every night and every morn
Some to misery are born.
Every morn and every night
Some are born to sweet delight.
Some are born to sweet delight,
Some are born to endless night.
We are led to believe a lie
When we see not through the eye
Which was born in a night to perish in a night,
When the soul slept in beams of light.
God appears, and God is light
To those poor souls who dwell in night,
But does a human form display
To those who dwell in realms of day.


THE PRAYER OF THE DONKEY

by Carmen Bernos De Gasztold


O God, who made me to
trudge along the road
always,
to carry heavy loads always
and to be beaten
always!
Give me great courage and gentleness.
One day let somebody understand me--
that I may no longer want to weep
because I can never say what
I mean
and they make fun of me.
Let me find a juice thistle--
and make them give me time to pick it.
And Lord, one day, let me find again
my little brother at the Christmas crib.

Amen


REACHABLE STAR or
HOW TO CHANGE THE WORLD IN FIVE HOURS

- Saiom Shriver-

Henry went to hospital
Twas Bethesda Naval
and took a picture of an ape
in a restraining chair.
And took it to an international
picture wire
called Black Star
which sent it round the world..
and Gandhi saw and knew
that violated was the treaty
.. and she cancelled monkey export
.. because Henry in 5 hours
.. cared to reach for
.. one bright and reachable... star!


(to Henry Spira, student of Peter Singer, whose genius compassion and Archimedes Lever caused his teacher to write about him)


THIRTEEN WAYS OF LOOKING AT A BLACKBIRD

-Wallace Stevens-

I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

II
I was of three minds,
Like a tree
In which there are three blackbirds.

III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.

VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?

VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.

XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.

XII
The river is moving.
The blackbird must be flying.

XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.

(most of us have occasionally lapsed into
referring to animals as objects .. 'it' rather than 'he' or 'she')


ON THE MOVE

-Thom Gunn-


The blue jay scuffling in the bushes follows
Some hidden purpose, and the gush of birds
That spurts across the field, the wheeling swallows,
Have nested in the trees and undergrowth.
Seeking their instinct, or their pose, or both,
One moves with an uncertain violence
Under the dust thrown by a baffled sense
Or the dull thunder of approximate words.

On motorcycles, up the road, they come:
Small, black, as flies hanging in heat, the Boy,
Until the distance throws them forth, their hum
Bulges to thunder held by calf and thigh.
In goggles, donned impersonality,
In gleaming jackets trophied with the dust,
They strap in doubt--by hiding it, robust--
And almost hear a meaning in their noise.

Exact conclusion of their hardiness
Has no shape yet, but from known whereabouts
They ride, directions where the tires press.
They scare a flight of birds across the field:
Much that is natural, to the will must yield.
Men manufacture both machine and soul,
And use what they imperfectly control
To dare a future from the taken routes.

It is part solution, after all.
One is not necessarily discord
On Earth; or damned because, half animal,
One lacks direct instinct, because one wakes
Afloat on movement that divides and breaks.
One joins the movement in a valueless world,
Crossing it, till, both hurler and the hurled,
One moves as well, always toward, toward.

A minute holds them, who have come to go:
The self-denied, astride the created will.
They burst away; the towns they travel through
Are home for neither birds nor holiness,
For birds and saints complete their purposes.
At worse, one is in motion; and at best,
Reaching no absolute, in which to rest,
One is always nearer by not keeping still.
Posted by sb11 on 03-02-2005 05:11 PM:

Animal Poems (Everymans Library Pocket Poets)
by JOHN HOLLANDER (Editor)


SCENE OF PIG KILLING

The Pig Killing Scene
in Jude The Obscure by Thomas Hardy

THE time arrived for killing the pig which Jude and his wife had fattened in their sty during the autumn months, and the butchering was timed to take place as soon as it was light in the morning, so that Jude might get to Alfredston without losing more than a quarter of a day.
The night had seemed strangely silent. Jude looked out of the window long before dawn, and perceived that the ground was covered with snow-- snow rather deep for the season, it seemed, a few flakes still falling.
"I'm afraid the pig-killer won't be able to come," he said to Arabella.
"Oh, he'll come. You must get up and make the water hot, if you want Challow to scald him. Though I like singeing best."
"I'll get up," said Jude. "I like the way of my own county."
He went downstairs, lit the fire under the copper, and began feeding it with bean-stalks, all the time without a candle, the blaze flinging a cheerful shine into the room; though for him the sense of cheerfulness was lessened by thoughts on the reason of that blaze--to heat water to scald the bristles
from the body of an animal that as yet lived, and whose voice could be continually heard from a corner of the garden.
At half-past six, the time of appointment with the butcher, the water boiled, and Jude's wife came downstairs.
"Is Challow come?" she asked.
"No."
They waited, and it grew lighter, with the dreary light of a snowy dawn.
She went out, gazed along the road, and returning said, "He's not coming.
Drunk last night, I expect. The snow is not enough to hinder him, surely!"
"Then we must put it off. It is only the water boiled for nothing.
The snow may be deep in the valley."
"Can't be put off. There's no more victuals for the pig.
He ate the last mixing o' barleymeal yesterday morning."
"Yesterday morning? What has he lived on since?"

--

"Nothing."
"What--he has been starving?"
"Yes. We always do it the last day or two, to save bother with the innerds.
What ignorance, not to know that!"
"That accounts for his crying so. Poor creature!"
"Well--you must do the sticking--there's no help for it.
I'll show you how. Or I'll do it myself--I think I could.
Though as it is such a big pig I had rather Challow had done it.
However, his basket o' knives and things have been already sent on here, and we can use 'em."
"Of course you shan't do it," said Jude. "I'll do it, since it must be done."
He went out to the sty, shovelled away the snow for the space of a couple of yards or more, and placed the stool in front, with the knives and ropes at hand. A robin peered down at the preparations from the nearest tree, and, not liking the sinister look of the scene, flew away, though hungry.
By this time Arabella had joined her husband, and Jude, rope in hand, got into the sty, and noosed the affrighted animal, who, beginning with a squeak of surprise, rose to repeated cries of rage.
Arabella opened the sty-door, and together they hoisted the victim on to the stool, legs upward, and while Jude held him Arabella bound him down, looping the cord over his legs to keep him from struggling.
The animal's note changed its quality. It was not now rage, but the cry of despair; long-drawn, slow and hopeless.
"Upon my soul I would sooner have gone without the pig than have had this to do!" said Jude. "A creature I have fed with my own hands."
"Don't be such a tender-hearted fool! There's the sticking-knife-- the one with the point. Now whatever you do, don't stick un too deep."
"I'll stick him effectually, so as to make short work of it.
That's the chief thing."
"You must not!" she cried. "The meat must be well bled, and to do that he must die slow. We shall lose a shilling a score if the meat is red and bloody! Just touch the vein, that's all.
I was brought up to it, and I know. Every good butcher keeps un bleeding long. He ought to be eight or ten minutes dying, at least."
"He shall not be half a minute if I can help it, however the meat may look," said Jude determinedly. Scraping the bristles from the pig's upturned throat, as he had seen the butchers do, he slit the fat; then plunged in the knife with all his might.
"'Od damn it all!" she cried, "that ever I should say it!
You've over-stuck un! And I telling you all the time----"
"Do be quiet, Arabella, and have a little pity on the creature!"
"Hold up the pail to catch the blood, and don't talk!"
However unworkmanlike the deed, it had been mercifully done. The blood flowed out in a torrent instead of in the trickling stream she had desired.
The dying animal's cry assumed its third and final tone, the shriek of agony; his glazing eyes riveting themselves on Arabella with the eloquently keen reproach of a creature recognizing at last the treachery of those who had seemed his only friends.
"Make un stop that!" said Arabella. "Such a noise will bring somebody or other up here, and I don't want people to know we are doing it ourselves."
Picking up the knife from the ground whereon Jude had flung it, she slipped it into the gash, and slit the windpipe. The pig was instantly silent, his dying breath coming through the hole
"That's better," she said.
"It is a hateful business!" said he.
"Pigs must be killed."
The animal heaved in a final convulsion, and, despite the rope, kicked out with all his last strength. A tablespoonful of black clot came forth, the trickling of red blood having ceased for some seconds.
"That's it; now he'll go," said she. "Artful creatures-- they always keep back a drop like that as long as they can!"
The last plunge had come so unexpectedly as to make Jude stagger, and in recovering himself he kicked over the vessel in which the blood


ANIMALS ARE PASSING FROM OUR LIVES

-Philip Levine-

It's wonderful how I jog
on four honed-down ivory toes
my massive buttocks slipping
like oiled parts with each light step.

I'm to market. I can smell
the sour, grooved block, I can smell
the blade that opens the hole
and the pudgy white fingers

that shake out the intestines
like a hankie. In my dreams
the snouts drool on the marble,
suffering children, suffering flies,

suffering the consumers
who won't meet their steady eyes
for fear they could see. The boy
who drives me along believes

that any moment I'll fall
on my side and drum my toes
like a typewriter or squeal
and shit like a new housewife

discovering television,
or that I'll turn like a beast
cleverly to hook his teeth
with my teeth. No. Not this pig.

http://www.poemhunter.com/philip-levine/poet-8952/
http://www.jewishveg.com 



SHOOTING RATS AT THE BIBB COUNTY DUMP

-by David Bottoms -

Loaded on beer and whiskey, we ride
to the dump in carloads
to turn our headlights across the wasted field,
freeze the startled eyes of rats against mounds of rubbish.

Shot in the head, they jump only once, lie still
like dead beer cans.
Shot in the gut or rump, they writhe and try to burrow
into garbage, hide in old truck tires,
rusty oil drums, cardboard boxes scattered across the mounds,
or else drag themselves on forelegs across our beams of light
toward the darkness at the edge of the dump.

It's the light they believe kills.
We drink and load again, let them crawl
for all they're worth into the darkness we're headed for.

(David Bottoms, one of Georgia's poet laureates Robert Penn Warren gave high praise to the above poem which through sheer description magnifies the cruelty humans visit on rats (not only at dumps but by 'health' department genocide, by pharmaceutical, military, and university lab infliction of torture etc.)


THE CATTLE TRAIN

-Charlotte Perkins Gilman-

Below my window goes the cattle train,
And stands for hours along the river park,
Fear, Cold, Exhaustion, Hunger, Thirst and Pain;
Dumb brutes we call them - Hark!

The bleat of frightened mother -calling young,
Deep-throated agony, shrill frantic cries,
Hoarse murmur of the thirst-distended tongue
Up to my window rise.

Bleak lies the shore to northern wind and sleet,
In open-slatted cars they stand and freeze
Beside the broad blue river in the heat
All waterless go these.

Hot, fevered, frightened, trampled, bruised and torn;
Frozen to death before the ax descends;
We kill these weary creatures; sore and worn,
And eat them-- with our friends.


THE BULL CALF

-Henry Bailey Stevens-
vegetarian author of THE RECOVERY OF CULTURE

Well sonny! Come along,
Swinging your little tail!
This is the price you have to pay
for being born a male.

Moo moo old cow!
And start a hunger strike.
Lots of us have to do
Things that we don't like.

Lots of us have to suffer;
Don't let it spoil your meal
This is the price you have to pay
Somebody wants some veal.

Don't take it too hard, old cow;
I'm sorry you've got so wild;
But somebody's got an appetite
And wants to eat your child.


SADISTS

-Linn A. E. Gale-

I saw
A cruel cat
In heartless playfulness
Poking back and forth
A tiny helpless birdlet,
Too young for feathers,
Too weak to peep in protest,
Until finally the purring feline
Thrust the wee thing
Head-first, into her mouth,
And sat crunching contentedly
Quivering flesh and thread-like bones.
I watched
Sadistic humans
In blas� comfort
Neatly slice carcasses
Of beings that loved life and felt pain
No less than they.
And meanwhile I observed
Puzzled wondering why
So many heads are hollow,
So many mean are walking beasts,
So much brutality blots the land,
Such epidemics of violence,
Such vertigos of sensuality
Inoculate and intoxicate the race.


THE MOUSE TRAP

-Robert Wallace-

A mouse the trap had slapped on, but not caught
stood in the floor
bloody -whiskered, in the curious light
snapped on from the kitchen door

Grooved in the gray skull-fur
where the steel spring banged him,
blood from his ears, and one of 2 bead-black eyes
popped almost out, and hanging

looking his bad luck, he sheered through doors.
rooms. halls, waddled along walls,
was exposed behind dressers,
hobbling with the load of his pain through falls.

bumps, skics, until the portable (peaces-can)
prison (from the trash sack) fell
into place, changing the hellishly lighted chambers
to a pleasurably blackened cell

as comfortable as his hole, but showing
a scar of light around the rim.
A shirt cardboard slid under-moving floor
and gathered him

into the lurch and claw- slipping tilt and
ride of air, and bore
him giddy, sloping and scratching
out the back door

to the yellow porch lit and midnight lawn
and slid free his small terror
into the matty, spiny grass that held him like rails,
Shadowy, his executioner

choosing (over drowning or crushing)
the doubtful love of a gun,
loomed over him, unready, tall. Unsteadily
he tried to run and the world blurred, un-

til he sat gathering his shakes in the grass blades
The long-barrelled (22 target) revolver lowered
to arm's length
from the panting, furred bird-ribs not yet dead

and aimed, and fired-
six irregular shots
that drove deep their thunderous metal seeds
into the earth in spots

all around the tiny breath
they were meant for, spurting up yellow-brown
fountains of dir
as before some palace, circus: forest, pillars, a
kind of crown

in the noise and light of the murdering storm
That poor marksman, love
clicked, quietly
ticked, reloading, far, far, far above

the withered and dumb and dirt-daubled mouse
Then light and leaden rain
Stomped down again, and one blind iron tear
flooded all the sap of his pain

into the earth along with its leaving
indistinguishable in the churned-up lawn-
a flattened and sucked-out pelt
of half-buried once-mouse, now mouse-gone


ODE TO THE POOR MAN'S CRICKET

-Tom Earley-

Although they steal my food
within the walls of my humble home
I endeavor never to be rude

And when I outen the lights
These peaceful creatures are free to roam
For even the meek
have their rights


A MODERN GOLDEN CALF

-Earnest A Webbe-

In Cleveland's toughest quarter, The famous "Tenderloin"
(Fit namesake for the choicest cut Of steak for honest coin)
Where dives and tough resorts abound, Saloons and salry brokers,
Gambling joints and "uncle shops" And homes for highway chokers,

You'll find a building tall and square Low'ring o'er the railroad,
Which brings from peaceful pastures fair, Poor creatures by the trainload;
A smell of blood makes thick the air, Mute terror in each creature's stare-
Brute men running everywhere, Their robes with blood aglare!

And on the building's lofty roof, Like Aaron's calf of old
There rears, that every eye may see A steer of burnished gold!
For ever this sacrifice goes on And Christians bend the knee
Nor stop to think their honest coin Sustains idolatry!


JOHN HARVEY KELLOGG MD

What Methuselah ate
was not on a plate..
For paradise meat fruit.. as in Gen 1: 29
was delicious to eat

And kept him in finest condition
and twas hung on trees
and not made to please
the deadly Live Stock Commission

No fish was he fed
no blood did he shed
And he knew when he had
eaten enough

And so it is plain
He'd no cause to complain
Of steaks that were measly or tough

Or bearded beef grimy
Green moldy and slimy
Of cold -storage turkeys and putrid beefsteaks
With millions of colon germs
Hams full of trichina worms
And sausages writhing
with rheumatic aches

Old Methuselah

(The Bible says the vegetarian Methuselah reached an age of 969 years)


(published in Vegetarian America by Karen Iacobbo)
(John Harvey Kellogg MD fought the meat cartels for many decades)


OF JOY AND RODENTS

-Sai Grafio-
http://www.postpoems.com/members/op  the Grafio file

Who is to say that being here is not glorious even
In the most squalid of existence; even in the streets
Festering with garbage, being here is a joyous thing.

Tell the blind woman, blind since birth, that joy is non
Existent; her hyper-extended senses would tell you that
She sensed and loved the tiny feet of mice eating her cheese.

The most visible of happiness occurs when, without the
Expectation of result, something explicable happens; and
That is, the unexpected joy that Sisyphus could not imagine.

For all the rats eating our grain and causing continual
Scourges, they teach us to value life as they endure the
Hatred and interminable tortures of laboratory animals.

Our age builds an enormous citadel of power; formless as
The extensive stress it exacts on us. It no longer respects any
Temples; however, the rat teaches us the temple of survival

The whole family of rodentia is our guru; from rabbits we
Learn to spawn our progeny; from squirrels we learn to
Economize in lean times and from mice we learn humility.

Their veins flow with existence without a Bill of Rights;
What makes us think that we have more entitlements; let
Us love our rodent brothers and chew on life as they do.


THE BEAR HUNT
Abraham Lincoln


A wild-bear chace, didst never see?
Then hast thou lived in vain.
Thy richest bump of glorious glee,
Lies desert in thy brain.

When first my father settled here,
'Twas then the frontier line:
The panther's scream, filled night with fear
And bears preyed on the swine.

But wo for Bruin's short lived fun,
When rose the squealing cry;
Now man and horse, with dog and gun,
For vengeance, at him fly.

A sound of danger strikes his ear;
He gives the breeze a snuff;
Away he bounds, with little fear,
And seeks the tangled rough.

On press his foes, and reach the ground,
Where's left his half munched meal;
The dogs, in circles, scent around,
And find his fresh made trail.

With instant cry, away they dash,
And men as fast pursue;
O'er logs they leap, through water splash,
And shout the brisk halloo.

Now to elude the eager pack,
Bear shuns the open ground;
Through matted vines, he shapes his track
And runs it, round and round.

The tall fleet cur, with deep-mouthed voice,
Now speeds him, as the wind;
While half-grown pup, and short-legged fice,
Are yelping far behind.

And fresh recruits are dropping in
To join the merry corps:
With yelp and yell,--a mingled din--
The woods are in a roar.

And round, and round the chace now goes,
The world's alive with fun;
Nick Carter's horse, his rider throws,
And more, Hill drops his gun.

Now sorely pressed, bear glances back,
And lolls his tired tongue;
When as, to force him from his track,
An ambush on him sprung.

Across the glade he sweeps for flight,
And fully is in view.
The dogs, new-fired, by the sight,
Their cry, and speed, renew.

The foremost ones, now reach his rear,
He turns, they dash away;
And circling now, the wrathful bear,
They have him full at bay.

At top of speed, the horse-men come,
All screaming in a row,
"Whoop! Take him Tiger. Seize him Drum."
Bang,--bang--the rifles go.

And furious now, the dogs he tears,
And crushes in his ire,
Wheels right and left, and upward rears,
With eyes of burning fire.

But leaden death is at his heart,
Vain all the strength he plies.
And, spouting blood from every part,
He reels, and sinks, and dies.

And now a dinsome clamor rose,
'Bout who should have his skin;
Who first draws blood, each hunter knows,
This prize must always win.

But who did this, and how to trace
What's true from what's a lie,
Like lawyers, in a murder case
They stoutly argufy.

Aforesaid fice, of blustering mood,
Behind, and quite forgot,
Just now emerging from the wood,
Arrives upon the spot.

With grinning teeth, and up-turned hair--
Brim full of spunk and wrath,
He growls, and seizes on dead bear,
And shakes for life and death.

And swells as if his skin would tear,
And growls and shakes again;
And swears, as plain as dog can swear,
That he has won the skin.

Conceited whelp! we laugh at thee--
Nor mind, that now a few
Of pompous, two-legged dogs there be,
Conceited quite as you.

- Abraham Lincoln -
2/12/1809-4/15/1865

President Abraham Lincoln's poem The Bear Hunt is an illustration of his sensitivity being drowned by his political aspirations and desire to please those he is with. He would go on to cause the murder of hundreds of thousands of horses in the Civil War.

With the Maryland GOP wanting to institute a bear hunt, (bears are legally murdered in Canada, in NH, PA, NY, and NJ) there are 2 Republican presidents who have been involved with bears. One was Teddy Roosevelt. When a bear cub he had orphaned by killing his mother wandered into the camp fireside at night, some of his party raised their rifles to shoot the baby. He would not allow it. The teddy bear was born.

http://www.marylandbears.com


MAO TSE TUNG

"Genghis Khan, man of his epoch, ... knew only how to hunt the great eagle. They are all gone. Only today are we men of feeling."

"Even the plum tree is pleased with snow and doesn't care about freezing or dying houseflies."


EMILY DICKINSON

If I shouldn't be alive
When the robin come
Give the one in red cravat
A memorial crumb


TO A MOUSE
On Turning Her Up in Her Nest With The Plow

-Robert Burns-

Wee, sleekit, cowrin, tim'rous beastie,
O, what a panic's in thy breastie!
Thou need na start awa sae hasty,
Wi' bickering brattle!
I wad be laith to rin an' chase thee,
Wi' murd'ring pattle!
I'm truly sorry man's dominion
Has broken nature's social union,
An' justifies that ill opinion
Which makes thee startle
At me, thy poor, earth-born companion,
An' fellow mortal.
I doubt na, whiles, but thou may thieve;
What then? poor beastie, thou maun live!
A daimen icker in a thrave
'S a sma' request;
I'll get a blessin' wi' the lave,
An' ne'er miss't!
Thy wee bit housie, too, in ruin!
It's silly wa's the winds are strewin'!
An' naething, now, to build a new ane,
O' foggage green!
An' bleak December's winds ensuin',
Baith snell an' keen!
Thou saw the fields laid bare an' waste,
An' weary winter comin' fast,
An' cozie here, beneath the blast,
Thou thought to dwell �
Till crash! the cruel coulter past
Out thro' thy cell.
That wee bit heap o' leaves an' stibble,
Has cost thee mony a weary nibble!
Now thou's turned out, for a' thy trouble,
But house or hald,
To thole the winter's sleety dribble,
And cranreuch cauld!
But, Mousie, thou art no thy lane,
In proving foresight may be vain;
The best-laid plans o' mice an' men
Gang aft agley,
An' leave us nought but grief and pain
For promised joy!
Still thou art blest, compared wi' me;
The present only toucheth thee:
But och! I backward cast my ee,
On prospects drear!
An' forward, tho' I canna see,
I guess an' fear!


THE RUNAWAY

-Robert Frost-

http://www.egroups.com/messages/animalpoems
http://groups.msn.com/ar9/avpoetry.msnw 

Once when the snow of the year was beginning to fall,
We stopped by a mountain pasture to say 'Whose colt?'
A little Morgan had one forefoot on the wall,
The other curled at his breast. He dipped his head
And snorted at us. And then he had to bolt.
We heard the miniature thunder where he fled,
And we saw him, or thought we saw him, dim and grey,
Like a shadow against the curtain of falling flakes.
'I think the little fellow's afraid of the snow.
He isn't winter-broken. It isn't play
With the little fellow at all. He's running away.
I doubt if even his mother could tell him, "Sakes,
It's only weather". He'd think she didn't know !
Where is his mother? He can't be out alone.'
And now he comes again with a clatter of stone
And mounts the wall again with whited eyes
And all his tail that isn't hair up straight.
He shudders his coat as if to throw off flies.
'Whoever it is that leaves him out so late,
When other creatures have gone to stall and bin,
Ought to be told to come and take him in.'


ROBERT SOUTHEY

Ah poor companion! when thou followed last
Thy master's parting footsteps to the gate
Which closed forever on him, thou dist lose
Thy best friend, and none was left to plead
for the old age of brute fidelity.
But fare thee well. Mine is no narrow creed.
And He who gave thee being did not frame
The mystery of life to be the sport
of merciless men. There is another world
For all that live and move.. a better one!
Where the proud bipeds, who would fain confine
Infinite goodness to the little bounds
of their own charity, may envy thee.


JOHN DONNE

Why are we by all creatures waited on?
Why do the prodigal elements supply
Life and food to me, being more pure than I,
Simple and further from corruption?
Why brook'st thou, ignorant horse, subjection?
Why dost thou bull, and boar so sillily
Dissemble weakness, and by one man's stroke die
Whose whole kind, you might swallow
and feed upon?
Weaker I am, woe is me, and worse than you,
You have not sinned, nor need be timorous
But wonder at a greater wonder, for to us
Created nature doth these things subdue.
But their Creator, whom sin, nor nature tied,
For us, his creatures, and his foes, hath died.


JOHN WESLEY

The whole brute creation will then, undoubtedly, be restored not only to the vigour, strength, and swiftness which they had at their creation, but to a far higher degree of each than they ever enjoyed...

Thus in that day all the vanity to which they are helplessly subject will be abolished, they will suffer no more, either from within or without. The days of their groaning are ended.

(In v 6 of his collected works, John Wesley, founder of the Methodists, recounts he is a vegetarian.)


RALPH WALDO EMERSON

Ever fresh the broad creation
A divine improvisation
From the heart of God proceeds
A single will, a million deeds
He is the heart of every creature
He is the meaning of each feature
And his mind is in the sky
Than all it holds more deep, more high


WILLIAM WORDSWORTH

And I have felt
A presence that disturbs me with the joy
Of eleveated thoughts
A motion and a spirit, that impels
All thinking things all objects of all thought.
And rolls through all things. Therefore am I still
A lover of the meadows and the woods
And mountains and of all that we behold
from this green earth


CHRISTINA ROSSETTI

And other eyes than ours
were made to look on flowers
Eyes of small birds and insects small
The deep sun-blushing rose
Round which the *****les close
Opens her bosom to them all
The tiniest living thing
That soars on feathered wing,
Or crawls among the long
grass out of sight
Has just as good a right
To its appointed portion of delight
As any king.


WILLIAM BLAKE

To see a world in a grain of sand
And a heaven in a wildflower
Hold infinity in the palm of your hand
and eternity in an hour.
A robin redbreast in a cage
puts all heaven in a rage.
A dove-house filled with doves and pigeons
Shudders Hell through all its regions.
A dog starved at his master's gate
Predicts the ruin of the state.
A horse misused upon the road
Calls to Heaven for human blood.
Each outcry of the hunted hare
A fibre from the brain does tear.
A skylark wounded in the wing
A cherubim does cease to sing.
The gamecock clipped and armed for fight
Does the rising sun affright.
Every wolf's and lion's howl
Raises from Hell a human soul.
The wild deer wandering here and there
Keeps the human soul from care.
The lamb misused breeds public strife
And yet forgives the butcher's knife.
The bat that flits at close of eve
Has left the brain that won't believe.
The owl that calls upon the night
Speaks the unbeliever's fright.
He who shall hurt the little wren
Shall never be beloved by men.
He who the ox to wrath has moved
Shall never be by woman loved.
The wanton boy that kiklls the fly
Shall feel the spider's emnity.
He who torments the chafer's sprite
Weaves a bower in endless night.
The caterpillar on the leaf
Repeats to thee thy mother's grief
Kill not the moth nor butterfly
For the Lasdt Judgement draweth nigh.
Walter Matthau in Pete and Tillie:
The fish are having fun.. because
we haven't caught any of them


JOYCE IS A BRITISH QUAKER WHO RUNS A QUAKER VEGETARIAN HEALING CENTER

KILLING TIME
by
Joyce Pearce
joyce@guildford.co.uk

When Autumn days grow shorter
And Christmas time draws nigh
Then kindly British people
Will heave a patient sigh.
For custom now requires them
To move both heaven and earth
To celebrate with gusto
The gentle Baby's Birth.
So bank accounts are emptied,
The Prince of Peace to praise
With whisky, wine or lager,
And never mind who pays.
Then as the Day approaches,
The menu must be planned,
The Son of Love to honour
Across this gentle land.
To celebrate this Season
Of nation-wide Good Will
Pigs, chickens, geese and turkeys
Are fattened for the kill,
While countless Christmas carols
Ascend to heaven above,
In praise of One who taught us
The way of perfect Love.


The Seven Sorrows

-Ted Hughes-

The first sorrow of autumn
Is the slow goodbye
Of the garden who stands so long in the evening-
A brown poppy head,
The stalk of a lily,
And still cannot go.

The second sorrow
Is the empty feet
Of a pheasant who hangs from a hook with his brothers.
The woodland of gold
Is folded in feathers
With its head in a bag.

And the third sorrow
Is the slow goodbye
Of the sun who has gathered the birds and who gathers
The minutes of evening,
The golden and holy
Ground of the picture.

The fourth sorrow
Is the pond gone black
Ruined and sunken the city of water-
The beetle's palace,
The catacombs
Of the dragonfly.

And the fifth sorrow
Is the slow goodbye
Of the woodland that quietly breaks up its camp.
One day it's gone.
It has only left litter-
Firewood, tentpoles.

And the sixth sorrow
Is the fox's sorrow
The joy of the huntsman, the joy of the hounds,
The hooves that pound
Till earth closes her ear
To the fox's prayer.

And the seventh sorrow
Is the slow goodbye
Of the face with its wrinkles that looks through the window
As the year packs up
Like a tatty fairground
That came for the children.

 

 



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